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Continue ShoppingSennheiser and Zoom Wireless Field Recording Kit
A broadcast quality sound solution. Providing the highest flexibility for your video sound and field recording applications.
A robust wireless microphone system that offers excellent sound quality, simple mounting and ease of use.
Rugged all-in-one wireless system with high flexibility for broadcast quality sound, including the clip-on microphone ME 2-II (omni-directional) or ME 4 (cardioid) for excellent speech intelligibility and daily on-location use.
Record cleaner, clearer, and closer than ever before - Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond
With the new H4n Pro, Zoom has taken everything creators love about the H4n and brought it to the next level.
The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.
Welcome to the new gold standard in field recording.
Sennheiser ew 112 G4
Zoom H4n Pro
Sennheiser ew 112 G4
EK 100 G4 | |
Frequency Range | 516-558 MHz |
Compander | Sennheiser HDX |
THD, Total Harmonic Distortion | = 0.9 % |
Audio Output | 3.5 mm Jack Socket: +12 dBu (mono, unbalanced) |
Signal-to-Noise Ratio | = 110 dBA |
Switching Bndwidth | up to 42 MHz |
Peak Deviation | ±48 kHz |
Nominal Deviation | ±24 kHz |
Operating Timw | Typically 8 Hr |
Modulation | Wideband Fm |
Power Supply | 2 AA Batteries, 1.5 V or BA 2015 accupack |
Current Consumption | at nominal voltage: typ 180mA/with receiver switched off:= 25 µA |
Adjacent Channel Rejection | = 65 dB |
Intermodulation Attenuation | = 65 dB |
Receiving Frequency | Max. 1680 receiving frequencies, adjustable in 25 kHz steps 20 frequency banks, each with up to 12 factory-preset channels, no intermodulation 1 frequency bank with up to 12 programmable channels |
RF Sensitvity | < 1.6 µV for 52 dBA eff S/N |
Squelch | low:5dBuV, middle: 15dBuV, High: 25 dBuV |
Receiver Principle | Adaptive Diversity |
Blocking | = 70 dB |
Zoom H4n Pro
Number of Simultaneous Recording Tracks | 2 (STEREO Mode), 4 (4CH Mode), 2 (MTR Mode) |
Number of Simultaneous Playback Tracks | 2 (STEREO Mode), 4 (4CH Mode), 4 (MTR Mode) |
Recording Time 4 GB (SDHC) | Approx. 380 Minutes (WAV 44.1 kHz / 16-bit Stereo Track); Approx. 68 Hours (MP3 44.1 kHz / 128 kbps Stereo Track); *Recording Times are Approximations (Actual Times May Differ According to Recording Conditions |
Maximum File Size of Simultaneous Recording | 2 GB |
Projects | 1000/Card |
Locate Function | Hours/Minutes/Seconds/Milliseconds |
Other Functions | Punch-In/Out, Bounce, A-B Repeat |
Effects Modules (2) | STEREO / 4CH Mode: LO CUT, COMP/LIMITER; MTR Mode: PRE AMP Module, EFX Module |
Types | 53 |
Patches | 60 |
Tuners | Chromatic, Guitar, Bass, Open A/D/E/G, DADGAD |
Metronome Sound Sources | 5 |
Variable Beat | 1/4 - 8/4, 6/8, Unaccentuated |
Tempo | 40.0 - 250.0 BPM |
A/D Conversion | 24-bit × 128 Oversampling |
D/A Conversion | 24-bit × 128 Oversampling |
Recording Media | SD Card (16 MB – 2 GB), SDHC Card (4 GB – 32 GB) |
Display | 128 x 64 Dots Full-Dot Backlit LCD |
Quantization (WAV Format Record/Play) | 16- / 24-bit |
Sampling Frequency (WAV Record/Play) | 44.1 / 48 / 96 kHz |
Bit Rate (MP3 Format Recording) | 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 kbps, VBR |
Sampling Frequency (MP3 Recording) | 44.1 kHz |
Bit Rate (MP3 Playback) | 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 kbps, VBR |
Sampling Frequency (MP3 Playback) | 44.1 / 48 kHz |
Input [1] [2] | XLR (Balanced Input) / Standard Phone (Unbalanced Input) Combo Jack |
Input Impedance | (Using Balanced Input) 3 k Ohms or More, Pin 2 Hot; (Using Unbalanced Input) 470 k Ohms or More |
Input Gain | (Using Balanced Input) -16 dB to +43 dB; (Using Unbalanced Input) -30 dB to +32 dB |
Built-In Stereo Mic | Unidirectional Condenser Microphone |
Built-In Mic Sensitivity | -45 dB/1 Pa at 1 kHz |
Built-In Mic Input Gain | -16 dB to +51 dB |
Maximum Sound Pressure Input | 140 dB SPL |
External Mic | Mini Stereo Phone Jack |
External Mic Input Impedance | 2 k Ohms or More |
External Mic Input Gain | - 16 dB to +51 dB |
Line/Phone Output Load Impedance | 10 k Ohms or More |
LINE Rated Output Level | -10 dBu |
Phone | 20 mW + 20 mW (Into 32 Ohms Load) |
Monaural Speaker | 400 mW 8 Ohms |
Phantom Power | 48V, 24V, OFF |
USB | USB 2.0 High Speed Mass Storage Class operation, Audio Interface Operation (USB Functions Can Be Operated By USB Bus Power) |
Power Requirements | DC 5V 1A AC From AC Adapter (ZOOM AD-14), 2 x AA Batteries |
Batteries | IEC R6 (Size AA) x 2 |
Stereo Mode Continuous Recording Time | Using Built-In Mics at 44.1 kHz/16-bit Without Headphones Connected About 6 Hours (Using Alkaline Batteries or About 8 Hours Using NiMH (2450mAh) Batteries) |
STAMINA Mode Continous Recording Time | Using Built-In Mics at 44.1 kHz/16-bit Without Headphones Connected (About 10 Hours Using Alkaline Batteries or About 12 Hours Using NiMH (2450mAh) Batteries) |
Dimensions (W x D x H) | 73 m × 157.2 mm × 37 mm |
Weight | 294 g |
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